Almost a decade into the Digital Cinema Revolution and industry people still have a hard time defining what it is that a DIT or Data Manager do while on set. The truth is no matter which camera system you are using from ARRI, Red, Sony, Panasonic or Canon all of your digital media will pass through the hands of your DIT or Data Manager. The need to hire someone who is dedicated, confident and proven successful time and time again can not be understated.
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As production increasingly becomes deeper-rooted and interconnected with post, filmmakers are facing additional challenges to create and manage new workflows to meet their requirements. Having a Digital Imaging Technician (DIT) supervise the end-to-end workflow ensures the integrity of the image from the point of capture through to delivery.
Read MoreAll media offloads are triplicated for fail-safe redundancy, checksum verified, and scrubbed for QC with camera reports.
Live grading for up to two SDI or HDMI cameras for multi-cam matching and creative pre-visualization during production through the power of CDLs and 3D-LUTs.
First-light dailies with timecode and metadata burn-ins are available for executive and client review. Optimized for web and iPad streaming, or edit-friendly proxies as necessary.
Hard disks can fail. We offer professional LTO archiving for your footage.
If you have any query about our services or would like to have more information on how we can help you in assisting your project feel free to contact us.